Fayaz Tepe, located near Termez in modern Uzbekistan, provides crucial insights into the flourishing Buddhist culture in ancient Bactria, particularly under the Kushan Empire (c. 1st-3rd centuries CE). This region was a major crossroads on the Silk Road, facilitating intense cultural and religious exchange between India, Persia, Central Asia, and China. Fayaz Tepe functioned as a substantial Buddhist monastery complex (vihara). Archaeological excavations, primarily conducted by Soviet archaeologist L.I. Albaum in the 1960s-70s, revealed a well-organized layout typical of Bactrian monasteries. This included a large courtyard surrounding a central stupa (now reconstructed), rows of monastic cells (viharas) for monks, assembly halls, a refectory, and utility areas. The most significant finds include remarkable examples of Gandharan and Greco-Bactrian art: stucco and clay sculptures of Buddha and Bodhisattvas, fragments of vibrant murals depicting Buddhist themes (including possibly donor figures), and pottery. A particularly important discovery was a triad statue showing Buddha flanked by monks. Inscriptions found at the site in Kharosthi and Brahmi scripts further attest to the Indian linguistic and religious influence. The artistic style clearly demonstrates the fusion of Hellenistic realism with Indian Buddhist iconography, characteristic of Kushan-era art in the region. The monastery likely served as a vital center for Buddhist learning, practice, and propagation along the Silk Road. Its decline and eventual abandonment may be linked to the Sasanian invasions of the 3rd century CE, which disrupted Kushan power, or later socio-political changes and the gradual decline of Buddhism in the region preceding the Islamic conquests. Fayaz Tepe stands as a significant testament to the northernmost expansion of Buddhism from India and the rich syncretic culture of ancient Bactria.